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A Book of Love, A Novel of Rumi – 40 Rules of Love


Love and empathy
Elif Shafak’s novel is full of lyrical beauty

By Farahnaz Zahidi Moazzam 


The Forty Rules of Love:
A Novel of Rumi
By Elif Shafak
Publisher: Penguin
Pages: 350
Price: Rs. 895

It is difficult to say who is the main protagonist of The Forty Rules of Love by Turkish author Elif Shafak. It is equally difficult to decide which century should we choose the protagonist from —the 13th or the 21st. Such is the fluidity and exuberance with which Shafak has written this popular fictional.

Ella Rubenstein is forty, Jewish, unhappily married, and has forgotten who she is, revolving her life around her infidel husband and children. As part of the work she is doing for a literary agent, she comes across the manuscript of a novel called “Sweet Blasphemy” which mesmerises her in how it revolves around the relationship between 12th century Islamic theologian-scholar turned poet Mevlana Jalaluddin Rumi and the mystic Sufi Shams of Tabriz who is Rumi’s spiritual master.

This is a turning point in Ella’s life, who is inspired by Shams’s life-altering forty rules of love that ultimately aim at helping people achieve communion with the Absolute, the Creator, through the path of love, and in so doing learning the answers to the deepest questions of life that would in turn help transform a person’s conduct and behaviour towards other creatures in a beautiful manner.

This was what Shams was teaching Rumi. This is what, indirectly, the writer of “Sweet Blaspehmy”, Aziz Zahara, teaches Ella, forever changing her life.

Aziz does to Ella what Shams did to Rumi – he becomes her mirror in which she sees her real self. He is the stone that flings itself into the stagnant waters of Ella’s uneventful, complacent, almost dead life, and causes a ripple effect that brings to the surface everything she truly is and is meant to be. Thus, she discovers love.

Shams of Tabriz was an Iranian Sufi mystic, a wandering dervish, responsible for initiating Rumi into Islamic mysticism. Rumi’s poetry has immortalised Shams, who is said to have been the reason Rumi evolved from a scholar used to the Aristotelian style of questioning and scholarship in faith, and became a love-poet, whom Shams brought to the path of a direct and ecstatic connection with God.

The word “Shams” literally means the Sun in Arabic. While the beauty of Rumi’s poetry continues to be celebrated world over, Rumi can be compared to the moon who actually reflected the resplendent light of the sun, by passing on the message he learnt from his spiritual master, Shams.

Shafak’s ingenious technique of usage of the literary device where each chapter is named after the character, whose inner soliloquies comprise that chapter, makes it very believable and relatable. An essential part of Rumi’s poetry, of Sufism, and in turn of Shafak’s book, is about empathy, in which you understand the other’s perspective. Through the different voices in the book talking in first person, in an almost “stream of consciousness” narrative technique because they are so intimately monologue-like, Shafak has achieved the objective of keeping empathy as one of the central threads that keep stringed together the many themes in the book.

The message of empathy and understanding different perspectives is spell-binding in the book. We look at the world not just through the eyes of Ella and Aziz, and Shams and Rumi, but also characters like Desert Rose the Harlot, Sultan Walad (the son of Rumi), Suleiman the Drunkard and even The Killer who is hired to kill Shams.

As a writer Shafak is capable of using much more intricate phraseology and vocabulary, but it seems as if she on purpose keeps the choice of words and the tone very simplistic and basic, as if she is afraid of diluting the basic strength of the profound message of the book through unsolicited use of jargon.

The fact that the novel catapults the reader from past into the present and vice versa, from the world of Shams of Tabriz in 13th century Konya to the world of Ella Rubenstein in 21st century New Jersey, is deeply symbolic. The fluidity with which this has been done gives the novel as surreal timeless quality, where even the characters from the 13th century seem relatable today. This is where Shafak is truly brilliant, for this is an underlying message that Rumi and Tabriz’s message of love is not and cannot be limited within encapsulations of time and space.

To understand this further, we have to take a look at Rumi’s position over the centuries. His funeral it is said, was a historic event in that it extended over forty days of grieving, where he was mourned by Muslims, Christians, Jews, Greeks, Arabs and Persians. Rumi, himself, it is said, married both a woman of Islam and a woman who was originally a Christian. In the present day context, Rumi is prided over by Muslims who see him both as a commentator of the Quran and a scholar (especially his life pre-Shams), as well as a proponent of the universality of the message of Sufism. But what is doubly interesting is how Rumi has managed to be celebrated even by the West, thereby bridging many of the gaps between the East and the West centuries after he died. He has influenced the writings and philosophy of the likes of Ralph Waldo Emerson and Georg Wilhelm Friedrich Hegel. Recent years have seen an upsurge in Rumi’s popularity in the West. According to the Christian Science Monitor, Rumi got ranking as America’s best-selling poet in 1997. Rumi-following and coffee table books boasting a dabbling with the message of Rumi are quite the fad. In a world where the mantra “I am spiritual, not religious” has gained momentum, Rumi is one person the past, present and probably the future, and both the East and the West, agree upon.

The Forty Rules of Love has been hugely successful. It sold more than 600 000 copies, becoming an all time best-seller in Turkey and in France awarded with the Prix ALEF – Mention Spéciale Littérature Etrangère. While there is no doubt in the lyrical beauty of Shafak’s work, part of the reason for the success of this book lies in the fact that in the world that we live in today, you cannot go wrong with Rumi and Sufism.

Published in The News on Sunday: http://jang.com.pk/thenews/mar2012-weekly/nos-18-03-2012/lit.htm#2

About FarahnazZahidi

Journalist, writer, Communications practitioner, teacher, media trainer | Literature | Gender Parity | Peace | Islam | Very Desi | Chaai, not coffee.

14 responses »

  1. Lovely review thanks. Must read this book

    Reply
  2. brilliant review farah, must read it now!!

    Reply
  3. Have read this book, your review does justice to the novel. Beautifully written, Farah. Always proud of you and your work

    Reply
  4. Tarannum Zahidi Ahmed

    Great job. Have not read the book yet but will soon.

    Reply
  5. Great work on the review. I just hopped over from TRA on FB to read this. Hope to read more of your work in future.

    Reply
  6. Brilliant work! Have to read the book

    Reply
  7. Thank you for this review. Its been two weeks since I have read the book and im still reeling from the power of the words. Its not a novel you read once, its a novel you keep referring to time and time again.

    Reply
  8. I never knew reading a book like this can make me feel so eager & enthusiastic 2 read more.. Secondly as it is based on our Islamic teaching it is so comforting to know tht just by surrendering to Allah, can make our life so peaceful.. Just amazing, cant wait 2 finish it.

    Reply
  9. DIVAN SHAMS, Rumi’ s masterpiece was decoded by Mr Hich during 30 years of scientific, Cultural and artistic presence of his hard life, always was at service of his society and through these years he was capable of composing lots of rare books of which we will mention a few:

    A) Interpretation of Masnavi -Manavi (by Rumi) in 9 volumes titled as :

    Spiritual society

    Beyond Journey

    Voice of silence

    Living in fourth dimension

    The Lord of love

    Dream therapy

    Salvation in here

    The God’s sight

    Recreate! your future

    B) Interpreting, heading & decoding the entire DIVAN SHAMS (by Rumi) in 50 volumes that we will mention some of them:

    A ray of king’s love

    Look at that royal king

    Oh pure & purifier lord!

    Seeking world lord out

    The unseen lord

    Our majesty ,The king of goodness

    Towards the king

    The charitable lord

    He is my majesty

    The king of love

    The uplifting king

    How is that king beyond veil

    The love former king

    The Great appear from high majesty God

    Oh mere traceless You are the endless sea

    Moon in solitude

    You are the king of union

    Oh the mercy sun of mystery

    Divine genius

    A cup of pure light

    Sight without thou

    Chelipa of Saba

    Dance of Breeze

    Gift of Breeze

    Breeze in my mind

    I can’t move without breeze

    The amorous of breeze

    The rise of breeze

    C) Mr Hich also engaged in artistic activities we will mention some of them:

    1) Writing the scenarios of King of hearts or divine king

    2) Manavi’s story Chosen from Masnavi’s tales ( by Rumi )

    3) House of balance (Family feature animation)

    4) Covers(inspired from concepts of Divan Shams)

    D) Mr Hich illustrated a new horizon and directs some works in Sun of Art by designing heart cards which resulted in coming up lots of priceless artistic works in that field, and his co-workers are already busy completing this job.

    E) Taking action to open workshops to find out Art bases from persian literary texts is one of Mr Hich’s other unique activities in order to spread about pure hidden culture in ancestors works. After 5 years of opening these workshops in Sun of Art House it was inspiring to create lots of artistic works, such as: Script_writing, Play writing, Graphic Movie making ,Animating, Story-witting ,Toreutics, Imaginary arts ,Calligraphy, Music, Formed designing, Poetry and etc
    But his most unique activity is Decoding of “DIVAN SHAMS” after 725 years.
    It is for the first time in the world that such investigation is going to be published (in 50 volumes) and set him among the rare (Shams researchers) all around the world, 5000 codes from DIVAN SHAMS.
    This action can make divine genius known to all human-beings… It has to be mentioned we can’t introduce Master Hich through this.
    Hamid Goodarzi started to illustrate it by his works and exposure them in different exhibitions with the names Real Identity, True life, Virtual life and …

    Reply

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